When I confess that I’ve never built anything with my own two hands, I don’t mean that as a flex. As a child, while my peers spent hours constructing kingdoms out of Legos, I stayed busy decorating every level of my American Girl A*G Mini’s. Even though I wasn’t aware of it at the time, interior design came naturally to me, but DIY projects did not. As much as I enjoyed arts and crafts, I would enthusiastically pass on building and repairing with tools. I’ve always been a visual learner so anything that requires following an instruction manual sends me into a tizzy—I can usually figure it out after someone shows me exactly how to do something step-by-step.
I’m not proud that I’m not a handy person, but it’s simply not at the top of my repertoire when I conduct a personal SWOT analysis. This is the primary reason why I’ve often avoided buying furniture that isn’t pre-assembled for most of my adult life, unlike many of my friends who make annual trips on the IKEA ferry for a homeware haul. But this mindset changed once I began digging deeper into the radical world of vintage IKEA during the pandemic and redecorating my space. Fast-forward to last August when I was tapping through the curator Hélène Rebelo’s Instagram Stories and spotted a wavy green lacquered dresser that I was eventually able to identify as a vintage Vajer model designed by Tomas Jelinek for IKEA in 1995. The drawers were available in other sizes and colorways until 2003.
Somewhere around 48 hours later I became full-on obsessed with tracking down the Vajer, but couldn’t find it for sale anywhere in the U.S. During my intense search process, it popped up on Etsy, but was located in Berlin and shipping would have cost significantly more than the Vajer was worth. I briefly considered commissioning a designer to make a similar dresser, but deep down I knew that it would never compare to the real deal. I messaged a few New York-based dealers that specialized in vintage IKEA, but none of them had ever come across the Vajers while sourcing. The only local person I knew in possession of one got lucky on Craigslist, and the person they originally bought it from didn’t realize what a rare find it was.
Unwilling to accept defeat, I reached out to Harry Stayt, the founder of Billy, an archive of designs from IKEA that further explores the cultural legacy surrounding the brand, to inquire about how to find the Vajer. (He’s been a huge fan of the design ever since he spotted the drawers in an IKEA catalogue from the ’90s a few years ago.) As to be expected, he wasn’t familiar with any dealers in the U.S. that sold it, but he happened to be waiting on a shipment of Vajers to arrive. Stayt offered to dismantle one of the units and send all the parts flat-packed to me with the original assembly instructions if I was interested. (It only takes him about an hour to break a piece down.) A few weeks later, Stayt circled back with a reasonable quote, and I decided to move forward with the purchase after consulting with my most trusted confidants.