Travel

Aboard the World’s Most High-Design Cruise Ship

Celebrity’s newly launched Edge ship is making serious waves among aesthetically minded travelers
a cruise ship from above
Photo: Michel Verdure

For the preeminent ship in the brand’s first new class of ships in ten years, Celebrity took the approach of working not only with adept collaborators but also with designers who had never undertaken sea-bound vessels. Learning curves aside, this proved to be a groundbreaking approach, with the finished product shattering all stereotypes of how a ship should look. Perhaps the most emphatic of Edge’s design fans was Celebrity design ambassador Nate Berkus, who says, “For me it comes down to a question of innovation and quality. The moment I first stepped on the ship I could feel that all the design finishes were selected to give one a sense of modern luxury.”

Designed by Tom Wright of Burj al Arab fame, the Magic Carpet moving platform deftly moves from Deck 2, where it is a tendering platform, to Deck 5, where it is a fine-dining restaurant, to decks 14 and 16, where it serves as a bar and lounge.

Photo: Michel Verdure

It all starts at the Grand Plaza, where the Paris-based duo of Jouin Manku (responsible for the Jules Verne restaurant at the Eiffel Tower, no less) sought to celebrate the ruggedly handsome steel structure of the ship for a very personal reason—partner Patrick Jouin’s grandparents worked at Chantiers de l’Atlantique, the very shipyard that built Edge and the storied Normandy before her. “This project was a very emotional one for me. Sanjit [Manku] and I channeled that into our design, which inspired our unique approach in showing the craftmanship,” Joiun says. All steel beams and ribs in the space were simply painted white, with the occasional warm wood accent and up-light. The pièce de resistance in the space is a programmable chandelier that symbolizes a cloud presiding over the horizon where the ocean meets the sea.

Spanning three decks at the heart of the ship, the Grand Plaza celebrates the bones of the Edge. As designer Sanjit Manku says, “If you have the essentials, like good bone structure, there is no point in putting on extra layers of makeup.”

Photo: Michel Verdure

In the ship’s accommodations, famed British designer Kelly Hoppen employed her signature neutral color palettes and earthy materials. Standard rooms are 23 percent larger than any in the Celebrity fleet, and feature an innovative “infinite veranda” allowing for a convertible interior sitting room cum balcony. The touch of a button releases a retractable glass window and folding doors to open or close this space from the rest of the room. Retractable tables, coffee tables that cleverly become writing desks, and lit, fold-up vanity mirrors are among Hoppen’s clever designs.

Measuring 2,500 square feet, and featuring better views than the captain, the Iconic Suite features pieces from Kelly Hoppen’s furniture collection and a whimsical red swing by Lee Broom.

Photo: Tim Aylen

The showstopper in Hoppen’s scope is the Iconic Suite, perched at the bow of the ship. “This suite has incredible views—even better than the captain’s! I really wanted to make sure the interior didn't distract too much from the views,” Hoppen says of the space. “I incorporated some of my favorite furniture designs from my own collection with resource decor to add high-end glamour,” she adds. Artful pieces like a hanging swing by Lee Broom add a touch of whimsy.

Scott Butler teamed up with Spanish furniture designer Patricia Urquiola on the design of Eden, an edgy restaurant and performance venue unlike anything at sea. It also features a "library of plants."

Photo: Tim Aylen

Two of the ship’s other superlative spaces, its groundbreaking theater and industry-first moving platform, were produced by two Celebrity—and cruise-ship—veterans. Boasting the largest projection screens at sea—of which there are three set on an embracing curve—the Edge Theatre features four stages, rain curtains, and a revolving platform that raises performers some seven feet over the crowd; there isn’t a bad seat in the entire house. “We’re always trying to break the boundaries between the performer and the audience,” explains architect Scott Butler. “At the same time we were challenged with how far forward the theater was, so we decided to make the stage house a part of the auditorium so the performers and the audience were in the same space.” Tom Wright, another longtime Celebrity collaborator, was the mastermind of the Magic Carpet, the iconic bright red gantry that features a tennis-court-sized moving platform. The versatile space’s function changes as it makes its way up from the waterline at Deck 2, to a fine-dining restaurant on Deck 5, to a chilled-out pool lounge and bar on Decks 14 and 16.

Featuring a host of live plants, and tended to daily, Tom Wright’s design for the rooftop garden is as impressive as the Magic Carpet.

Photo: Steve Dunlop

Both longtime collaborators with strong sea legs and creatives on their maiden cruise-ship design voyage gasped an equal sigh of awe as they stepped onto the gangway of Celebrity Edge, proving that both experience and inexperience are equally essential to true design innovation on the high seas.

RELATED: A Yacht Tailor-Made for the Design Aficionados of Tomorrow